Vampires, eh? Has there been a more maligned Horror genre in recent years than the vampire film? Seriously, they either sparkle in sunlight, inexplicably want to bang Anna Paquin and possibly themselves, or are metaphorically grooming small boys for nefarious purposes. In the meantime, a couple of films have come out that have attempted to breathe new life into arguably the most overplayed genre out there. A recent development (probably in an inevitably futile attempt to break the cycle of EMO rape-y douchebaggery), as seen last year in Daybreakers, is a post-apocalyptic twist: the bloodsuckers have won (and I don’t mean bankers) so how will mankind cope with being the food source in a devastated world? This year’s entry in my Post- Millennial Trauma series also follows this line: welcome to Stake Land. Bring your own garlic.