Tag Archive | Film

Just Pillow Talk’s Marvel Movie Mayhem continues with a 2 for 1 special!

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Exactly what the title says. This time our intrepid reviewer has decided to take on 2 of the recent and shitty comic book adaptations being nut rubbed by the nerds, met with indifference by the general public while boring the arse off me.

Sadly, they’re not Ghost Rider 2. Although I am deeply troubled by his worrying Ex-Mrs. Martin obsession. Still, she seems to have had a conscious uncoupling from the Iron Man films now, so he’ll have to watch her try to act to get his fix.

Apologies for the late posting of this, I’ve had it for a while, but been buried under real life stuff. Nevertheless, Take it away Pillows… Read More…

REVIEW – Guardians of the Galaxy: Space Camp

GotG_01By zombie_fatigue

Many thanks to zombie_fatigue for writing up this review of Marvel’s latest exercise in mediocrity (I say sight unseen). Cheers mate.

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[Insert Ape Pun Here] Kloipy has seen Dawn of the Planet of the Apes

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‘Dawn of the Planet of the Apes’ kicks off with a rousing hunt scene. Instead of the apes chasing down humans, we are treated to a nearly wordless 10 minutes sequence in which the apes in formation, stalk and take down some elk and nearly escape a bear attack. Though the hunt turns into chaos it is also apparent that the apes had continued to evolve from ‘Rise’ by the fact that they have now established hunting tools, some wearing war paint, some riding horses, and a colony in between the giant redwoods. This society has families, a sort of school, some laws that they have put together, and at the top of the chain stands Caesar. He has taken the leader position and rules it well. Read More…

Here we go again- Halloween (2007)

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You want to know what this film is? No? Well, I don’t care, I’m telling you anyway. It’s cinematic necrophilia.

Resurrection had killed the series, again, but much like it’s protagonist it simply couldn’t stay dead. The concept still made money, so there was a desire to continue it in some way. Thankfully, Busta Rhymes v Myers was so piss poor that it killed the idea of a sequel in that continuity stone dead, but there’s one thing Halloween has always done: latch on to current trends. Sadly, the trend in the second half of the last decade was driven by Platinum Dunes and involved heinously awful plastic remakes of classics (or otherwise) of the genre. We’ve had Nightmare on Elm St, The Fog, Dawn of the Dead (obligatory fuck you Snyder), Day of the Dead, Prom Night, The Hitcher, Hills Have Eyes, The Crazies (arguably the best of the trend), The Omen, Black Christmas, My Bloody Valentine, Texas Chainsaw Massacre and so on and so forth. What this dismal list has in common (aside from that a significant number of them were date based slashers spawned by the original Halloween), is that only The Crazies is a decent film, and most of them not only miss the point of the originals, but manage to be shiny, polished but ultimately entirely boring entries into the genre.  Read More…

Halloween: Resurrection. Or as I like to think of it, the series returning to form

 

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I’m sick to death of the sight of this review so I’m publishing it. Sorry about the rough state of it.

Who on earth thought this was a good idea? Come on, own up…

After the relative critical and overwhelming cash success of H20, the inevitable happened: another sequel. I’m going to go out on a limb here and state that in no way did H20 warrant a sequel. Particularly not one with Myers in it- as the Laurie Strode storyline had been completed with her grabbing a chopper (c.f Leslie Vernon) and taking it to her murderous sibling. Case fucking closed. Nevertheless, cash registers had chimed, so sequel time it was. Except this time, it was after the turn of the century, so the trend had changed. Around about 2000, give or take, a number of hidden camera/ internet/ found footage films appeared. Almost all of them (honourable exception to My Little Eye) are total garbage, but this trend was going strong, and for some reason the writers of Halloween 8 decided to incorporate Myers into it. This, frankly, is a terrible idea, but not quite as bad as the one to cast Busta Rhymes as a media mogul.

Spoilers and the deeply annoying survival of Busta Rhymes ahead.  Read More…

Reboot attempt number 3 with added postmodernism- Halloween H20: Twenty Years Later

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Back in the early 90’s it was wisely observed that slasher movies were dead, and in no small part the Halloween series was noticed standing over the corpse saying “It’s a fair cop, officer”. The relentless parade of sub par sequels, and mindless killing machines, delivered  without an iota of charm or wit had quite simply killed not only slashers, but horror in general. We were all set to bury the corpse, and move on to maybe sci-fi horror (the likes of Event Horizon weren’t far away), but a funny thing happened on the way to the funeral. Wes Craven, one of the godfathers of the genre came back with Scream. Now, Scream was seminal at the time, not only was it a good film in its own right, but it gave the entire genre a shot in the arm. Admittedly, it did also usher in the age of postmodernism, but that’s not its fault. With the brave new dawn of “clever” slasher movies upon us, the decision was made to have another look at the Halloween films, and maybe update them to the 1990’s. The result was Halloween H20.

Contains the very welcome return of Jamie Lee Curtis and spoilers below

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Jarv’s Schlock Vault: Machete Kills

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Machete don’t tweet

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Jarv’s rating: Approved, by the slimmest of margins. Actually manages to be better than the original, but not great overall, and toning down the nudity? What the fuck?

It’s been a good while since I’ve done a vault review, or even watched anything that would qualify as worthy of the vault, so this one may be a little rough round the edges. I’d even forgotten how I used to lay these reviews out when I started, so had to go back and have another look. *shudders* I really have watched some absolute rubbish over the years, but in amongst that mess I’ve had nothing but contempt for modern exploitation and have singularly bitched each and every one of them out that I’ve reviewed. Ranging from the deeply repellent (Nude Nuns or Hobo With a Shotgun) to the deeply boring and underpowered (Cherry Bomb), this misbegotten Tarantino spawned subsection of cinema struggles to produce anything remotely decent and seems to be thankfully going the way of the dodo. However, I suspect that the most successful iteration of it, Danny Trejo’s unstoppable Machete, may still have one last hurrah left in him before the “movement” ends.

Contains Carlos Estevez and Spoilers below Read More…

Halloween 6: The Curse of Michael Myers (on any mug that’s stupid enough to watch it)

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Halloween 5 was a disaster on every level. It was a disaster for the people that made it, a disaster for the people that watched it, and a disaster for the cynical producer types that sadly had their “KER-CHING” curtailed. In fact, to be fair, a lot of the problems with Halloween 5 stem from the fact that it was originally meant to be part of a quickly released double with this film. That it tanked so hard meant that there was a serious delay between releases and therefore Part 6 was delayed by 6 years rendering Part 5 incomprehensible and boring.

That’s not the real tragedy of Halloween 6, though. The real tragedy is that once the final credits roll, there’s an in memoriam message to Donald Pleasance. This shite was his last screen appearance. Top that one, Euripides.

Contains hatred of the series and spoilers below. Read More…

Halloween 5: The Revenge of Michael Myers (on the audience)

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Why won’t this bloody series die? I’ve now long passed the point where I wish I hadn’t started it, and I now actively resent the increasingly boring, turgid and unimaginative dreck with The Shape, robbed of all menace, tiresomely killing identikit teenagers. Halloween 5, to my mind, should represent the nadir of the series, as surely it can’t get any worse from here.

Contains your humble reviewer suffering from a nervous breakdown due to boredom, inexplicable attempts at explaining the mythology and spoilers below.  Read More…

Halloween 4: or how I learned to stop worrying and hate the series

Halloween 4 poster

Halloween 3 made some money. This is fact. However, despite this, it was generally perceived as a failure for not making enough filthy moolah. The tragedy of this is that the idea of simply using the date as a launch point for a horror series of stand alone movies is a cracking one, and Halloween 4 was originally conceived as a ghost film. A large part of me wishes that they’d gone through with this idea, because if they had had the balls to do it, then there’s a high chance that the ghost installment of the franchise would have been far more interesting than this dull, unimaginative and frankly annoying piece of shit. But no, creativity lost the battle with the balance sheet, and instead we got the return of Michael fucking Myers that absolutely nobody was clamouring for.

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