Just Pillow Talk’s Birthday Nightmare: The King of Comedy (1983)

Welcome all to Just Pillow Talk’s continuing descent into madness. Having said that, though, I do honestly feel that Martin Scorsese is on a one man mission to preserve the poor devil’s sanity. Last time, when he was in the mire, Taxi Driver popped up and eased the pain temporarily, and this time it’s a much-overlooked gem of a film: The King of Comedy.

The alternative view, of course, is that it’s just setting him up for a real beating in the next round. To misquote someone famous: it’s not the misery that hurts, but the hope that really gets him down.

Let’s see how he got on…

We are going to pretend that the last film I reviewed, the movie not to be named, never existed.  We will try to pick up the pieces and move on in the hopes of something that will not make yours truly want to physically harm the makers of said movie not to be named.

Yet another film I’ve never seen before on my journey to insanity, this one directed by Scorsese.  The movie opens with Jerry Langford (Jerry Lewis), a beloved talk show host, is absolutely mobbed by his adoring fans.  One of those fans is Sandra Bernhard (Masha) is a loon, and another, Rupert Pupkin (Bobby DeNiro), is a comedian looking for his first big break.  He begs Jerry to put him on his show.  Jerry tells him to call his secretary to set something up, even though Rupert demonstrates what an unwavering tool he is.

In a scene that made me laugh, DeNiro acts out in his mom’s house that he is accepting Jerry’s offer to fill in for him for six weeks.  See, that is funny DeNiro.  Meeting the Parents and shit like that, not so much.  Meanwhile, Bernhard gets a hold of Jerry’s number and gives him a disturbing call.  His dinner scene with Rita is hilarious, from his dorky laugh and excruciating conversation, to showing her all his autographs, including giving her his own: “the more scribbled the name, the bigger the fame.”  He wants to give her something more than her present situation of working in the bar.

Pupkin calls Jerry’s office relentlessly, and eventually stops by and meets his secretary, who tells him to send him a tape.  Well, that night he works on the tape at home, despite his mom’s repeated shouts to quiet down.  His looks of “c’mon mom, cut me some slack” are great.  The feedback from the tape is not good, which isn’t surprising, and tell him to work on his one-liners and to start working at a club.  He is escorted out of the building since he just wants to wait around…for an answer he wants to hear.  Masha is waiting for him outside and tells him that Jerry is in fact in the building.  Pupkin waltzes right back into the building and this time he is escorted out by a couple of security guards.

Does that deter Pupkin?  Hell no!  He brings Rita to Jerry’s house on the premise that he was asked to stay the weekend there to “hash” some of the finer points of his comedic act.  The butler calls Jerry to come back from the golf course to deal with these “guests”.  Even with Jerry bluntly telling Pupkin that he is a moron and to get out of his house, Pupkin is hesitant to leave.  Pupkin takes this very badly, and proclaims that he will be fifty times more famous than Jerry.

So naturally Masha and Pupkin have the grandest of ideas..kidnapping Jerry while he walks down the street.  They make Jerry call his office, and despite some struggles over the cue cards that Pupkin has him read off, requests that he be the first guest on the show.  Despite Jerry’s best attempts to talk him out of it, Pupkin duct tapes him up.  Masha takes the opportunity to have a candlelight dinner with the severely taped up Jerry.  Pupkin uses a distraction to get into the studio, to perform his act as the “King”.  The FBI are there and question him, but Pupkin is unperturbed and has an opening introduction for guest host Tony Randall to read before he does his monologue, which he gives to the studio people.  They feel they’ll have enough time to find Jerry from the time the show is taped to when they have to broadcast, which is Pupkin’s request.  Jerry manages to escape on his own when Masha agrees to remove the gobs and gobs of tape off of him so that they could make some whoopee.  Thankfully he smacks her before taking off.

Pupkin, accompanied by the FBI, goes to the bar where Rita works to show her that in fact he did get on the Jerry Langford show.  He does extremely well, and leaves the audience with the great tagline: “better to be a king for a night than a schmuck for life”.  He serves his two years and gets out a king, signing a book deal and performing on tv.

I have to say I enjoyed this movie quite a bit, and actually preferred DeNiro’s performance here than in Taxi Driver because he played against type so effectively.  I thought he was pitch perfect in his delivery, mannerisms as a struggling comedian.  The movie has a nice flow to it with the exception of the whole sexual come on to Jerry by Sandra.  I just think it didn’t work and took away from DeNiro’s journey, which was of course far more interesting.  I was pleasantly surprised by this movie, and wasn’t expecting to laugh so much.  I highly recommend this movie for anyone who hasn’t seen it.  I give it 3 tigers wearing a hat out of 4.  Well done Scorcese.

Next up: Blame it on Rio

Pillow out

The Nightmare so far…

1973 The World’s Greatest Athlete 1 / 4

1974 Deranged 0.5 / 4

1975 Shampoo 1.5 / 4

1976 Taxi Driver 3 / 4

1977 Black Samurai 1.5 / 4

1978 The Betsy 0 / 4

1979 Quintet 0 / 4

1980 Hero at Large 2/4

1981 Dogs of War 2.5/4

1982 The Beast Within 0/4: The Orangutan of Doom

1983 King of Comedy 3/4

 

 

 

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About Jarv

Workshy cynic, given to posting reams of nonsense on the internet and watching films that have inexplicably got a piss poor reputation.

22 Responses to “Just Pillow Talk’s Birthday Nightmare: The King of Comedy (1983)”

  1. Droid says :

    I love this movie. I haven’t seen it in a long long time. Must check it out again. The only thing that would’ve made it better is if it featured a tiger in a hat, and you have kindly provided that for us. Great flick.

  2. Droid says :

    I’m surprised you haven’t used this Tiger in a Hat yet…

    Tiger Woods

  3. Xiphos0311 says :

    This flick and Goodfellas are Scorceses and DeNiros high point working together. KoC is a great collaboration between the two. Rupert Pupkin the first time an AICN nerd talkbacker was shown on screen(minus any female involvement of course) even though AICN hadn’t been born yet.

    • Jarv says :

      Rupert Pupkin the first time an AICN nerd talkbacker was shown on screen(minus any female involvement of course) even though AICN hadn’t been born yet.

      Nice.

      You’d think they would have evolved since then.

    • koutchboom says :

      Naw no one on AICN has ever had a joke as good as “You wanna see my Pride and Joy?”

    • Continentalop says :

      I actually put this film fifth.

      Taxi Driver, Raging Bull, GoodFellas (all tied)
      Mean Streets
      King of Comedy
      Cape Fear
      Casino

      …then way down, New York, New York.

      • Xiphos0311 says :

        I forget about Raging Bull being a Scorsese movie for some reason. this movie blows taxi Driver out of the water in my opinion. Its more insightful, more nuanced and in many ways much more chilling then Taxi Driver. Taxi Driver is a lone nut movie but KoC’s Pupkin while also nuts(or maybe just a super narcissist I go back and forth on this) he unlike Travis Bickle is functional and capable nut and one that is able to form relationships .Also on a technical level it’s more more accomplished movie.

      • Continentalop says :

        I put Taxi Driver way higher than KoC, but I admit I am a big Taxi Driver fan. To me it is visual poetry and it is the cinematic equivalent of Notes From the Underground (which, admittedly, was a big influence on Taxi Driver).

      • just pillow talk says :

        I also prefer this one over Taxi Driver because I like DeNiro’s performance better in this one. I think he just nails the character so well, he’s hilarious in spots, and I was much more enthralled with the movie.

  4. Continentalop says :

    Man, this film reminds me how much I want Scorsese and DeNiro to work together again. Sure Marty’s latest movies haven’t been as bold as this, and sure DeNiro has become a ham actor, but fuck, whenever those two were together they made gold. They only did one bad movie between them – New York New York, and even that was a noble experiment IMO.

    Fuck, Sydney Lumet died before he good re-team with Pacino, but Bobby and Marty still have a chance (and bring in Harvey and Joey while your at it, with Paul writing the script).

  5. Continentalop says :

    Quick anecdote, supposedly when shooting the scene where Jerry is tied up, Marty couldn’t get him to project enough anger and hatred towards Rupert because Jerry liked Bobby too much. DeNiro said he would take care of it, and then proceeded to say some real vile anti-semitic shit towards Jerry Lewis before the camera started rolling, so he really was staring daggers towards DeNiro like he wanted to kill him.

    I wonder if he brought up his Holocaust clown movie?

  6. ThereWolf says :

    This is a great film. I really should watch ‘KOC’ again soon, must’ve been around the late 1980′s when I last saw it.

    By the way, the tigger in the hat is mint…

    • just pillow talk says :

      Cheers Wolfie. This is such a good film that I was happy I finally got to.

      And it should be cherished more so considering the wasteland of my list.

  7. M. Blitz says :

    Love this movie. Seriously underrated.

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